St. James’s Square: A Fashionable Regency Era Address

Researching locations to use in my novels in one of my favorite things to do when I’m preparing to write a book. An Unexpected Countess, my upcoming book, is a historical romance that pits my hero and heroine against each other in a race to find a piece of the missing French Crown Jewels. Before I wrote the book, I traveled to London to search out interesting locations to use in that story and became enchanted with another of its picturesque squares.

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St. James’s Square was the first of London’s west end squares and was conceived and created by Henry Jermyn, Earl of St. Albans when he was granted a freehold by the Crown in 1665. The Earl wanted to build thirteen or fourteen houses, “fit for ye dwellings of Noblemen and other persons of quality”. By the time of the construction, his plan was enlarged to include twenty-two houses to be built on the north, east, and west sides of the square with an large unpaved area in the center. The south side wasn’t included in the Earl’s design since there were properties already there that fronted Pall Mall.

By 1726, the south side of the square was an eyesore. It included a 30-foot long coach builder’s shed, and piles of garbage and cinders littered the area. Needless to say, the genteel residence of the square weren’t happy and petitioned the House of Commons to address the situation. An Act of Parliament was passed that year which appointed Trustees from the properties fronting the north, east and west ends of the Square to clean, adorn, and beautify it. That Trust still exists today.

A year after the Trust was formed, the Square was paved and Charles Brideman was commissioned to design an aesthetically pleasing central open area. He created an octagonal space that included a round water basin in the center that spanned 150 feet in diameter and was 4 feet deep. He enclosed the space with outer railings and made walkways extending straight from the corners of the railings to the basin.

In 1799 the octagonal was changed to a circle, and in 1807 an equestrian statue of William III was set in the center of the water basin. The basin was demolished in 1854, but the statue continues to dominate the center of the park today.

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By 1817, the Trustees wanted to revamp the Square and called in John Nash to redesign it. Nash kept the above-mentioned basin but surrounded it with curving walks, added shrubbery around the outside perimeter, designed a summer house beside the south entrance, and added additional serpentine paths through rich landscaped gardens. He enclosed the Square with handsome cast iron railings set on a Portland stone base. Nash’s plan was implemented that year and completed in 1818.

 

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Today, seventeen of the houses that overlook St. James’s Square are “listed” properties of special importance. The Square has had some notable residents. Here are a few and where they lived:

#4 was built in 1728. This was the home of the Astor family for thirty years. It is now home to The In and Out, Naval and Military Club and is the only remaining building that has a mews at the rear.

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#5 was built in 1749 and the second story was added in 1854. This was the London residence of the Byng family (The Earls of Stafford) for 260 years.

#9 & 10 were both built in 1736 and today they’re combined to form Chatham House, which is the office of the Royal Institute of International Affairs. No. 9 was originally occupied by the Hoare banking family until 1836. And, No. 10 was the home to both William Pitt, the 1st Earl of Chatham and Prime Minister of England (1708-1778), and Prime Minister William Ewart Gladstone (1809-1889).

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#15 was built in 1766 and designed by architect James Stuart. This was the London residence of the Earl of Lichfield for fifty years.

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#16 is an important building for those of you who love the Regency era. On the evening of June 21st, 1815 a soiree was being held in this home hosted by Mrs. Edmund Boehm that included the Prince Regent, later George IV. The festivities were interrupted when the Honorable Major Henry Percy, 14th Light Dragoons, an aide de camp to the Duke of Wellington, knocked on the door. He traveled from Brussels with a dispatch from Wellington that informed the Prince Regent of the victory at Waterloo and laid two French Imperial Eagles that were captured on the battlefield at the feet of the Prince. Imagine being able to boast that news of this important victory was announced first in your home.

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#20 was built in 1774 and designed by architect Robert Adam. Her Majesty Queen Elizabeth, the Queen Mother lived here from from 1906 to 1920.

#32 was built in 1818 and for much of the 19th century this was the residence of the Bishops of London.

To find out how I used St. James’s Square in An Unexpected Countess, pre-order your copy today.

An Unexpected Countess

An American diplomat’s daughter, Sarah Forrester is concerned that someone is blackmailing her family. She must locate the fabled Sancy diamond or her family will be ruined. But the Earl of Hartwick has also been tasked by the Prince Regent to reclaim the diamond for his country. Little does he know the feisty young lady he met on a rooftop is his competition. As they each follow the clues hidden in a bracelet, Sarah and Hart realize they will have to work as a team. Being together may be as dangerous to their hearts as the hunt is to their lives…and finding the jewel is only the beginning.

 

  • Amazon: getBook.at/UnexpectedAmzUni
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  • Kobo: http://bit.ly/2jUOFiK

 

St. James’s Church – A Fashionable Place to Marry During the Regency Era

Not too long ago, I traveled to London to celebrate the release of An Unsuitable Duchess. It seemed an appropriate place to celebrate since my Secret Lives of the Ton series takes place there during the Regency era. While in London I had fun searching out locations to include in the third book of the series entitled An Unexpected Countess, which will be released June 1, 2017.

Whenever possible, I like to use locations for my stories that still exist today so readers can visit them if they have the opportunity. I knew I needed a church for this story, and most Regency romances that I’ve read use St. George’s Hanover Square in Mayfair. I wanted to find a unique location and knew there had to be other churches from that time period that members of the British aristocracy would have gone to. I just needed to find one. My search led me to St. James’s Church on Piccadilly in the exclusive area of St. James’s, and I thought I’d give you an armchair trip to see it with me.

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The Piccadilly entrance to St. James’s Church.

When St. James’s Square and the area around it began to be developed in the 17th century, it created a need for an extra church to accommodate the additional parishioners of St. Martin in the Fields. Henry Jermyn, the 1st Earl of St. Albans, gave some of his land for an additional church and churchyard. In 1672 he hired noted architect Christopher Wren to design an Anglican church. It was finished in 1684, and in 1685 the separate parish of St. James was created.

Wren designed the church to be built of red brick with Portland stone dressings. Grinling Gibbons, who was a noted sculpture and woodcarver of the day, made the carved marble font and limewood altarpiece.

 

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According to the church’s website, “accounts by visitors to St. James’s during the eighteenth century stress the fashionable element in the congregation. John Evelyn remarked that a sermon which he had heard elsewhere on the subject of costly apparel would have been more appropriately delivered at St. James’s or some other of the theatrical churches in London, where the ladies and women were so richly and wantonly dressed and full of jewels. James Macky complained that a stranger had to pay for a convenient seat so that it cost one almost as dear to see a play, but he still thought the church worth a visit on a holiday or Sunday, when the fine assembly of beauties and Quality come there. In later years, James Boswell confessed that his mind was distracted when he attended a service at the church but excused himself because his warm heart and a vivacious fancy made him give in to love and to the most brilliant and showy method of public worship.”

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The back entrance of the church from Jermyn Street.

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The door leading up to the spire.

The interior of the church, which had been admired for its beauty by contemporary writers, owed its brilliancy not only to the richness of the congregation’s dress but also to the whiteness of the walls, the gilded fittings, and the handsome furniture all illuminated in winter by scores of candles.

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The English poet and painter William Blake was baptized in St. James’s Church in 1757 and the musician George Thomas Smart was baptized here in 1776.

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William Ince and John Mayhew, who were partners in a successful furniture business, married sisters in a double wedding in St. James’s in 1762. Fredrick de Horn married the artist Angelica Kauffman here in 1767. For those interested in scandal, the groom was an imposter who was already married. And Philip Hardwick, the architect, married Julia Shaw in St. James’s in 1819.

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James Gillray, the famous caricaturist was buried in St. James’s in 1815. Mary Beale, one of the first professional women artists, was buried here in 1699. And William Douglas, the 4th Duke of Queensberry, was buried here in 1810.

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A simple gravestone, now used as a paver stone at the entrance of the church.

In May of 1940, a bomb destroyed the rectory and vestry, and incendiary bombs also took out the spire and most of the roof. The churchyard and outside graves were destroyed as well. While I roamed around the churchyard, I had the opportunity to talk with Reverend Lucy Winkett. She informed me that after the explosion many of the tombstones were left scattered about the churchyard. Because supplies were scarce due to the war, the parish decided to use those tombstones in front of the church as pavers leading to the building when they rebuilt the church in 1947. You can see them today if you enter the grounds through the Piccadilly entrance.

 

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The churchyard is raised and behind this wall on Jermyn Street.

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St. James’s Church is the black square you see under the “i” in Piccadilly. Map courtesy of Greenwood’s Map of London from 1826.

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This is a map of the parish boundaries for St. James’s Church.

If you have the opportunity to travel to London and are in the area, it’s worth a stop to see this lovely church which I found a way to use in An Unexpected Countess. You’ll have to read the book to find out how.

 

The Connection Between a Favorite Drink of Regency Era Gentlemen and the Great Comet of 1811.

I’m writing the third book in my Secrets of the Ton trilogy and my hero, the Earl of Hartwick, is a man who appreciates fine brandy. I love creating personal details about my characters and wanted to include the name of Hart’s favorite brandy in my story. When I started my research, I thought I’d simply get the name of a notable brandy from 1819. What I discovered, gave me insight into the cognac I drink today and I thought you might find it interesting as well.

First let me explain the difference between the terms brandy and cognac. Brandy is made by distilling wine and aging it in barrels. Cognac is brandy which comes from the Cognac region in France.

During the Regency era, the finest brandy was produced during 1811 in France. The interesting thing is, still to this day, that vintage is considered to be one of the greatest in history. And the reason behind it is tied to a comet.

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The Great Comet of 1811, as drawn by William Henry Smith. Curtesy of Wikimedia.

In March of 1811, the Flaugergues comet began its trek across the sky in the Northern Hemisphere. Although the comet was visible to astronomers for 17 months, during September and October of  that year, it was visible to the naked eye. Accounts of the time describe the comet as illuminating the night sky and at one point it exceeded the diameter of the sun.

It’s believed the presence of the comet contributed to optimal growing conditions, particularly in France. The long hot summer and warm dry autumn of that year led to an abundant harvest of perfectly ripe grapes. People soon realized that the cognac, wine, and champagne of this vintage were exceptional. Even today, you can find bottles of cognac in your local liquor store that have stars on the labels. This isn’t a ranking. The stars are there as a tribute to the 1811 vintage, known as “The Comet Vintage”.

If you’re familiar with Courvoisier cognac, you’re probably aware it’s known as “Le Cognac de Napoleon”. According to the company’s website, not long after they were founded in 1809, the reputation of their cognac grew quickly among brandy connoisseurs and Napoleon visited their warehouse in Bercy to try it. He started giving a ration of cognac to his artillery companies to lift their morale during the Napoleonic Wars. When he was exiled to St. Helena, legend has it that he chose several casks of Courvoisier cognac to take with him as one of the luxury items he was granted by the British. The British officers on board the HMS Northumberland, who were tasked with transporting Napoleon, appreciated the cognac their prisoner shared with them and referred to it as “the brandy of Napoleon”.

And in case you’re curious which brandy the Earl of Hartwick favors in my upcoming book An Unexpected Countess, it’s an 1811 Croizet B. Léon cognac, which currently is selling for €25,000 for one bottle.

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References:

http://courvoisier.com/us/history

http://www.forbes.com/sites/sethporges/2013/10/10/6-things-you-probably-didnt-know-about-cognac/#3b2df53b7bf5

http://www.oldliquors.com/cognac-1811-croizet-b-léon-4837

The Daily Cognac: 1811 The Comet Vintage

 

How to Smell Like a Regency Era Gentleman

I fully admit to having a thing about the way my characters smell. I kinda get a bit obsessive about it. Maybe it’s because I can still recall which cologne each of my ex-boyfriends wore and, if I smell them today, the scent will bring back a distinct memory. And before you question that statement, I’m referring to smelling the cologne, not an ex-boyfriend.

Creating a distinct smell for a female character that lives during the Regency era is much easier than figuring out how I’d like my heroes to smell. I’ve read about so many male characters smelling of Bay Rum, that I was beginning to question whether there were other scents available to men. So during my recent trip to London I was on a mission to find out what scents gentlemen favored during the Regency era. There were two shops, in particular, that I wanted to visit because they’re chemists and perfumers who have been around since the late 18th century and catered more to a male clientele. Lucky for me, each shop had very helpful salesclerks that were happy to show me some of their oldest scents.

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My first stop was D.R. Harris & Co., Chemists and Perfumers on St. James’s Street. This shop was established in 1790. During the Georgian era they gained a reputation as purveyors of Lavender Water, Classic Cologne and English Flower perfumes. While I was there, I sampled some of the men’s fragrances that were around during the Regency era. Here is what I discovered. Classic Cologne is a typically fresh fragrance, Freshening Cologne has a tangy lemon note, and Traditional Cologne is a warmer scent with subtle orange notes.

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Two of their other oldest fragrances caught my eye. They were  Albany, named after the fashionable bachelors’ residence on Piccadilly, and Mayfair, named after the exclusive area of London where the Regency era elite resided. It was surprising to see such a modern technique of naming a product. I liked both of these fragrances so much, that I brought bottles of them back with me. Albany is a blend of lavender and citrus, and Mayfair had a sweeter floral fragrance.

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I also did smell Bay Rum. It was not to my taste at all and, for the record, none of my heroes will smell like it. I expected a very warm fragrance leaning more towards spicy rum. It actually smelled more like bay leaves.

 

 

Another shop I visited is Truefitt & Hill, which is also on St. James’s Street. This is the oldest barbershop in the world and was established in 1805.

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Famous Regency era men who were patrons of this shop include the sons of George III, the Duke of Wellington, Lord Byron, and Beau Brummell. Aside from the services of the barber shop, they also sell men’s cologne and shaving products. Sadly, I was not able to find out which scent was favored by Brummell.

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Statue of Beau Brummell on Jermyn Street in London

 

It was amusing to learn that their Freshmen Cologne was specifically blended in 1805 with fashion conscious Cambridge and Oxford students in mind. According to the shops description, it has “top notes of Lemon, Bergamot, Rosemary, Mint and Orange Blossom surrounding a heart of Clary Sage, Lily of the Valley, Jasmine and Ylang-Ylang which comfortably rest on a base notes of Musk and Oakmoss.”

Their Spanish Leather cologne dates back to 1814. I’ll often have my heroes smelling like leather, depending on what they are wearing or if they’ve been riding. To find a fragrance named leather made me laugh. It is described by Truefitt &Hill as “a rich, but subtle blend, with top notes of Fruit, Bergamot, Orange and Pimento, with a heart of Carnation, Cinnamon, Patchouli, Rose, Orris and woody notes, all resting on a base of Amber, Moss and Musk, Vanilla and Tonka.”

So now I have different scents to distinguish my characters, and you now know what a Regency era gentleman might have smelled like if you were standing beside him under the glittering chandeliers of a London ballroom. And best of all, you can still buy these fragrances today!

If you’re interested in learning more about these shops or buying some of there products, here are the links to their websites:

D.R. Harris & Co.

Truefitt & Hill

 

 

 

 

 

London’s Albany: An Exclusive Address for the Regency Era Bachelor

One of my favorite parts in developing a character is trying to determine where they live. I’m currently writing An Unexpected Countess and my hero, the Earl of Hartwick, would rather chew glass than live under the same roof as his father. After looking at a number of options, I decided Hart would live in one of London’s most exclusive addresses during the Regency era for a fashionable bachelor, an apartment-type building known as Albany. One of the best things about this building is that it has survived and continues to be one of London’s most exclusive residences. It’s located on Piccadilly next to the Burlington Arcade and is set back from the street by a private courtyard. For over two hundred years a sense of privacy has been valued here. Today, I’d like to tell you a little bit about it.

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Greenwood’s Map of London, 1827

Albany was originally designed by Sir William Chambers in 1774 as a residence for the first Lord Melbourne and his wife. In 1791 the Duke of York and Albany proposed a house swap to Lord Melbourne and an agreement was reached. The Duke, who was the second son of George III, and his wife lived there until 1803, when compounding debt forced him to sell the house to a young developer named Alexander Copland for £37,000.

Copland recognized the need for small London residences for fashionable gentlemen who didn’t wish to live alone in large townhouses and wanted to be close to the clubs and shops of St. James, as well as the Houses of Parliament. He worked with the architect Henry Holland to convert the mansion into a subscription house with a small garden behind it. Holland added two parallel buildings to the mansion and divided the entire structure into 69 apartments (or sets as Albany residents refer to them). The sets in the attached buildings are accessed from a 100ft. passageway known as the Rope Walk.

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Drawing by Thomas H. Shepherd, c. 1830, courtesy of Wikimedia Commons.

The sets were marketed exclusively to wealthy, well-connected gentlemen who were either bachelors or men who did not live with their wives. Some of the notable residents in the early nineteenth century include Matthew “Monk” Lewis, Lord Byron, and George Canning. Residents had an option to lease or buy a set. In 1814 Lord Byron took a seven-year lease at £110 per annum, with the option of purchasing the set for £1900 within one year.

Occupants were, and still are, subject to certain rules and regulations established by a group of Trustees who are elected from among the residents. Some of the original rules stipulated that residents could not alter any part of the building structure and owners could not rent or sell chambers without the consent of the Trustees. And it was understood that no women or children were permitted on the premises, although there is a rumor that Byron’s lover, Lady Caroline Lamb, managed to enter this forbidden land dressed as a page-boy. It wasn’t until the 1880s that the ban on women was finally lifted and beginning in the twentieth century women were permitted to reside there.

In the early nineteenth century a standard set contained an entrance hall, two main rooms in the front of the unit, and two or three smaller rooms in the back. Each set came with a wine and coal cellar in the basement and accommodations for a servant on the upper floor. In 1818 gaslights were installed in the building, and in June of 1820 the Trustees agreed that the parish should light the entrance from Piccadilly, the courtyard and the portico of the mansion.

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London’s Albany. Photo courtesy of Wikimedia Commons.

Regency history buffs might find it interesting to discover that in 1804 Henry Angelo’s fencing school was located in Albany’s courtyard, and in 1807 the pugilist John Jackson might have used the same apartment. For a short time Jane Austen’s brother Henry, of the banking firm Austen and Maunde, also had his office in the courtyard.

I love that this building has retained its sense of the past and hasn’t changed much in over two hundred years. According to one of its current residents, there is such a sense of decorum that uttering a friendly hello to a neighbor as you pass on the stone stairs or the Rope Walk is frowned upon. For the residents of Albany, a nod or a hat tip to a lady is the appropriate greeting.

References:

British History Online: http://www.british-history.ac.uk/survey-london/vols31-2/pt2/pp367-389

Georgette Heyer’s Regency World, Jennifer Kloester. 2010. Print.

New York Times Magazine, London’s Best and Most Secretive Address. November 11, 2013. Print.