The Allied Sovereigns’ Visit to England in 1814

It’s my pleasure to welcome back Joanne Major and Sarah Murden to my cozy drawing room today. Joanne and Sarah have recently released their second book, A Right Royal Scandal: Two Marriages That Changed History. I was thrilled to receive an advanced reader copy of this book and highly recommend it. If you enjoy reading biographies about fascinating people from the 19th century, you should check it out.

So without further ado, take it away Joanne and Sarah.

Thanks for having us, Laurie. We thought this tidbit about the Regency era might interest your readers. The Prince Regent was the figurehead for the visit of the allied sovereigns to England during the Napoleonic Wars. The Tsar of Russia, the King of Prussia and other European sovereigns landed at Dover on the 6th of June 1814 to celebrate the Peace of Paris and the abdication of Napoléon Bonaparte, who had been exiled to Elba. Lord Charles Bentinck who was the prince’s friend, equerry, and putative former son-in-law was a constant presence throughout the festivities and was often found at the prince’s side. This painting of the visit shows the young Prince Augustus of Prussia (on the left hand side of the portrait) turning his head to speak to Lord Charles who is standing directly behind him.

The Allied Sovereigns at Petworth, 24th June 1814 by Thomas Phillips, National Trust, Petworth House.

Lord Charles Bentinck was a widower. His late wife Georgiana Augusta Frederica Seymour was the daughter of the infamous eighteenth-century courtesan, Grace Dalrymple Elliott and–reputedly–the young Prince of Wales, later George IV. The prince certainly thought Georgiana was his daughter and privately–if not publicly–acknowledged her as such. The Bentincks had one young daughter. Tragically Georgiana had died in December 1813 following complications after a fall when once again pregnant.

Lady Charles Bentinck, formerly Georgiana Augusta Frederica Seymour by Mrs Joseph Mee, 1813. Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

When the ship carrying the sovereigns docked at Dover and the crowned heads of state were met by Lord Yarmouth, the Earl of Rosslyn and Lord Charles Bentinck, who escorted their guests, together with a detachment of the Scots Greys, to a nearby house marked for their reception while the guard of honour discharged their cannons. The Prince Regent’s younger brother, William, Duke of Clarence (later William IV) was also in attendance and gave a sumptuous banquet. The next day the retinue started for London and more celebrations. Lord Charles played a role in coordinating the festivities, particularly looking after the Prussian delegation led by King Frederick William III for whom he was appointed the temporary chamberlain. At the ensuing court at Carlton House, the Prussian king and his family were conducted to the regent’s side by Lord Charles Bentinck.

The Banquet given by the Corporation of London to the Prince Regent, the emperor of Russia and the King of Prussian, 18th June 1814 by Luke Clennell. Guildhall Art Gallery. Could that possibly be Lord Charles Bentinck seated second from the left on the left-hand side table?

There were banquets, state visits and jaunts to the racecourse at Ascot, and all the while Lord Charles danced attendance on the Prussian party until finally the sovereigns arrived at Portsmouth ready to embark on board their ship to return to mainland Europe. The Duke of Wellington, who looked extremely well, if a little thin and sunburnt following months of campaigning on the battlefields of Spain and France, arrived in a coach and four to the sound of a band playing See the Conquering Hero Comes and shouts of ‘Long live Wellington’. Before the Prussian king left England, he presented Lord Charles with a boxed set of diamonds worth £500 in gratitude for his attendance as chamberlain upon him.

Lady Abdy as a Bacchante, painted in 1813 by Mrs Joseph Mee for George IV when Prince Regent. Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017.

Perhaps, in time, these diamonds were worn by the second Lady Charles Bentinck? A year later Lord Charles was conducting a clandestine affair with the married Lady Abdy who was thought to resemble his first wife. Her husband, Sir William Abdy, was reputedly the richest commoner in England but he was no match for his spirited wife. Anne, Lady Abdy and née Wellesley, was the niece of the Duke of Wellington. Her father was Wellington’s elder brother, Richard, Marquess Wellesley and her mother a former Parisian opera dancer, Hyacinthe Gabrielle née Rolland, who had been Wellesley’s mistress for many years; he had only married her after the birth of their five children. When Lord Charles Bentinck and Lady Abdy eloped in 1815, only a short time after Wellington’s victory at Waterloo, the gossips whispered that it was no wonder Lady Abdy had behaved as she did…

Thanks, ladies, for introducing us to Lord Charles Bentinck and his scandalous life. As an aside, when Tsar Alexander I came to England for the celebration, he stayed with his sister Catherine Pavlovna, the Grand Duchess Oldenburg, at the Pulteney Hotel in Piccadilly. If you’re interested in finding out more about the hotel, I wrote an article about it. Just click on the name of the hotel to read it.

More about Joanne and Sarah:

Almost two books in one, A Right Royal Scandal recounts the fascinating history of the irregular love matches contracted by two successive generations of the Cavendish-Bentinck family, ancestors of the British Royal Family. The first part of this intriguing book looks at the scandal that erupted in Regency London, just months after the Battle of Waterloo, when the widowed Lord Charles Bentinck eloped with the Duke of Wellington’s married niece. A messy divorce and a swift marriage followed, complicated by an unseemly tug-of-war over Lord Charles’ infant daughter from his first union. Over two decades later and while at Oxford University, Lord Charles’ eldest son, known to his family as Charley, fell in love with a beautiful gypsy girl, and secretly married her. He kept this union hidden from his family, in particular his uncle, William Henry Cavendish-Scott-Bentinck, 4th Duke of Portland, upon whose patronage he relied. When his alliance was discovered, Charley was cast adrift by his family, with devastating consequences.

A love story as well as a brilliantly researched historical biography, this is a continuation of Joanne and Sarah’s first biography, An Infamous Mistress, about the eighteenth-century courtesan Grace Dalrymple Elliott, whose daughter was the first wife of Lord Charles Bentinck. The book ends by showing how, if not for a young gypsy and her tragic life, the British monarchy would look very different today.

For more information about Joanne and Sarah’s books, just click these links.

 

Would You Have Given Up Your Jewelry to Fight Napoleon?

If your country asked you to give up something to help fight the enemy, would you do it? Between 1803 and 1815, citizens of Prussia were called upon by members of the royal family to donate their gold and silver jewelry to help finance their country’s efforts in the Napoleonic Wars. In exchange for their precious jewelry, they were given jewelry cast in Berlin iron.

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Berlin iron is a metal that was produced in the Prussian royal foundry. It is a black-lacquered cast iron material that was originally used to make objects such as utensils, candlesticks, and medallions, as well as larger objects such as garden furniture, and fencing. The iron was coated with black lacquer to prevent it from rusting. It is that black appearance that gives Berlin ironwork the look of mourning jewelry. Ironwork jewelry was also produced by iron jewelers such as Johann Conrad Geiss.

Berlin Ironwork Bracelet, ca.1815

Berlin Ironwork Bracelet, ca.1815

Prussian citizen’s wore their ironwork jewelry with a sense of patriotic pride. Many pieces bore slogans like “I gave gold for iron” and “for the welfare of our homeland.” This gentleman’s ring features a center medallion with a pair of clasped hands. This symbol represents loyalty and solidarity. On the ring are inscribed the words “there is an echo in France when we say the words honor and Fatherland.”

19th Century Ironwork Men's Ring

Early Berlin ironwork followed fashion and was typically neo-classical in design. Many pieces included cameos and classical figures.

Berlin_Iron_Necklace_l early 19th century

Around 1815, the designs began to change to feature more natural elements.

 Berlin iron_necklace

By 1825, ironwork jewelry remained in favor and pieces were being designed in the gothic revival style.

Berlin Ironwork Bracelets from the V&AI wonder how many people today would give up their jewelry if their country asked them to?

Resources used:

 

 

The Ideal Georgian Writing Box for a British Officer

Campaign BoxTraveling over long distances during the Georgian era was a rough ride. If you were someone with the ability to write, you would have needed a well made writing box that could withstand the poor road conditions. 

Members of the British military favored a specific type of writing box which was designed for durability. These portable writing boxes became known as military style or campaign boxes and were an important part of an officer’s campaign furniture. A soldier’s life revolved around his mail. Officers would use their campaign boxes to draft military documents and to write letters home. I think a campaign box was one of the most personal items a man took with him when he left for battle.  IMG_1999The photo above is of a campaign box that I own. Most of these boxes that were made between 1780 and 1810 were rectangular in shape and constructed of solid mahogany, with a flat top. They measure approximately eight to twenty inches wide, seven inches tall, and are ten inches deep when closed. The outside of these boxes are usually finished with wax. Most have thick brass corners with steel screws which strengthens the joints and prevents the corners of the box from being damaged. This was an important feature for anyone traveling over rough roads for extended amounts of time.

Georgian Military Campaign Writing Box The earliest boxes have drop down brass handles. In slightly later ones, like mine, the handles are set into the box. Georgian Military Campaign Writing Slope With Side Compartment Open Campaign boxes of this period have one or two side drawers to store writing materials and correspondence. The really interesting ones have secret smaller drawers. And each has a lock to ensure your secret papers are not read by prying eyes.

IMG_2156 Opening a man’s campaign box would give you a very intimate glimpse into his private world. The top section would hold ink and sand wells, as well as a place to rest pens or a quill. My quill-rest is removable and has a small compartment underneath. In early boxes, the writing surface would have been covered in baize, and later ones in leather or velvet. Each side of the writing slope is hinged and folds to reveal compartments underneath. This allowed the owner to store personal items such as books, additional paper, military orders, letters from home, eyeglasses, a snuff box and/or portrait miniatures of loved ones.

Georgian Campaign Box
Georgian Military Campaign Writing Slope With Bottom Panel RaisedAlthough we associate campaign boxes with use by the military, members of the public who regularly ventured out on long journeys would have used these as well.

The photographs used in this post are of my English campaign box which was made between 1790 and 1810. It was reportedly own by a British Army officer. Each time I browse an antique shop, I’m always on the lookout for the ever-elusive box that has an undiscovered secret drawer. If I ever find one, I hope it isn’t empty.

 

Source used:

Clarke, Antigone, Antique Boxes, Tea Caddies and Society 1700-1880

Antique Boxes in English Society 1760-1900: http://www.hygra.com/writing.html